About

James Herbert, OBE (1943-2013) was a best-selling English horror writer who originally worked as the art director of an advertising agency. His first two books, The Rats and The Fog, are disaster novels. Ith his third novel, the ghost story The Survivor, Herbert used supernatural horror rather than the science fiction horror of his first two books. In Shrine, he explored his Roman Catholic heritage with the story of an apparent miracle which turns out to be something much more sinister. He Spear deals with a neo-Nazi cult in Britain and an international conspiracy which includes a right-wing US general and an arms dealer.

James Herbert, OBE (1943-2013) was a best-selling English horror writer who originally worked as the art director of an advertising agency. His first two books, The Rats and The Fog, are disaster novels. Ith his third novel, the ghost story The Survivor, Herbert used supernatural horror rather than the science fiction horror of his first two books. In Shrine, he explored his Roman Catholic heritage with the story of an apparent miracle which turns out to be something much more sinister. He Spear deals with a neo-Nazi cult in Britain and an international conspiracy which includes a right-wing US general and an arms dealer.

James Herbert, OBE (1943-2013) was a best-selling English horror writer who originally worked as the art director of an advertising agency. His first two books, The Rats and The Fog, are disaster novels. ith his third novel, the ghost story The Survivor, Herbert used supernatural horror rather than the science fiction horror of his first two books. In Shrine, he explored his Roman Catholic heritage with the story of an apparent miracle which turns out to be something much more sinister. he Spear deals with a neo-Nazi cult in Britain and an international conspiracy which includes a right-wing US general and an arms dealer.

James Herbert, OBE (1943-2013) was a best-selling English horror writer who originally worked as the art director of an advertising agency. His first two books, The Rats and The Fog, are disaster novels. ith his third novel, the ghost story The Survivor, Herbert used supernatural horror rather than the science fiction horror of his first two books. In Shrine, he explored his Roman Catholic heritage with the story of an apparent miracle which turns out to be something much more sinister. he Spear deals with a neo-Nazi cult in Britain and an international conspiracy which includes a right-wing US general and an arms dealer.

James Herbert, OBE (1943-2013) was a best-selling English horror writer who originally worked as the art director of an advertising agency. His first two books, The Rats and The Fog, are disaster novels. With his third novel, the ghost story The Survivor, Herbert used supernatural horror rather than the science fiction horror of his first two books. In Shrine, he explored his Roman Catholic heritage with the story of an apparent miracle which turns out to be something much more sinister.

James Herbert, OBE (1943-2013) was a best-selling English horror writer who originally worked as the art director of an advertising agency. With his third novel, the ghost story The Survivor, Herbert used supernatural horror rather than the science fiction horror of his first two books. His first two books, The Rats and The Fog, are disaster novels. In Shrine, he explored his Roman Catholic heritage with the story of an apparent miracle which turns out to be something much more sinister.

James Herbert, OBE (1943-2013) was a best-selling English horror writer who originally worked as the art director of an advertising agency. With his third novel, the ghost story The Survivor, Herbert used supernatural horror rather than the science fiction horror of his first two books. His first two books, The Rats and The Fog, are disaster novels. In Shrine, he explored his Roman Catholic heritage with the story of an apparent miracle which turns out to be something much more sinister.

James Herbert, OBE (1943-2013) was a best-selling English horror writer who originally worked as the art director of an advertising agency. With his third novel, the ghost story The Survivor, Herbert used supernatural horror rather than the science fiction horror of his first two books. His first two books, The Rats and The Fog, are disaster novels. In Shrine, he explored his Roman Catholic heritage with the story of an apparent miracle which turns out to be something much more sinister.

In Dune, Frank Herbert sang of the hero Paul Atreides, savior of a subjugated people, redeemer of a broken world, a man of destiny in the Hegelian mode In Dune Messiah, Herbert told of that same man, eclipsed by his own legend and harried by rivals who would claim his power for their own ow, in God Emperor of Dune, the Atreides saga comes to a thrilling conclusion in a story at once intimate as an inner voice and expansive as the history of political thought.

An intellectual tour de force, Frank Herbert imagines the distant future in order to plumb our past, searching for answers to age-old questions: How should we be governed hat role, if any, should religion play in statecraft? Are immoral, even wanton acts ever justified, even when they produce the most well-being for all.

Mbodying these questions is Leto Atreides II, the titular god emperor, who for 3500 years has ruled Arrakis as a deathless tyrant Feared and revered in equal measure, Leto maintains his grip on power by working the levers of need and desire essianic fervor is his tool, economic despotism his method.

He controls what little remains of the spice melange, plunging humanity into a period of enforced tranquility: safety and prosperity at the price of liberty ut Leto possesses a power that other despots down the annals of history could only claim as charlatans or madmen: the power of prescience And with foresight comes the terrible knowledge of humanity's extinction, and of the conditions that must prevail in order to avert catastrophe eanwhile, Leto's own humanity dwindles, for he is becoming a god like Shai-Hulud of old: sandworm-segmented, huge, and horrible to look upon With his transformation nearly complete, Leto must appoint a successor to ensure that humanity continues upon the Golden Path that he for three millennia has painstakingly cultivated ut time is running out Beneath the placid surface of Arrakeen society rebellion boils ival powers nurturing ancient resentments plot coups in the open And members of Leto's own court have mutiny on their minds hereas Dune was an ecological parable for the Silent Spring generation, God Emperor of Dune is a timeless treatise on the deepest questions concerning social and political organization Written in an inventive structure that juxtaposes third-person narration with excerpts from Leto's diaries, God Emperor of Dune is both a gripping tale of dynastic political intrigue and mirror literature in the tradition of Machiavelli, an apologetics for the exercise of absolute power.

Edition Details

• Signed by David Brin with a family approved facsimile signature by Frank Herbert.
• Fully cloth bound, with dustjacket, spine stamping, and inset image on front board.
• Over a dozen interior full color illustrations by Eduardo Peña.
• Printed on Mohawk Superfine.
• Printed endpapers.
• Capped, stamped slipcase.
• Book size 7¼ × 11 inches.
• Number of pages: 516.